14 October 2010

Strange Attractor Blitz: An Avalanche of Three Unpopular-Culture Books To Be Published Soon


One of my favourite publishing house and journals Strange Attractor will be unleashing three volumes of modern otherworldly scriptures: Volume 4 of the esteemed journal, an anthology of alternative film magazine and a biography of one of England's magickians from the last century, Austin Osman Spare.

Strange Attractor Volume 4 is as usual expected to be filled with papers and articles on esoterica of all sorts from science to literature to anything under the Sun while The End: An Electric Sheep Anthology focused on what the Electric Sheep magazine does best: offering in-depth critical but sometimes unorthodox insight essays on key alternative films and directors alike. The last title, Austin Osman Spare: The Life And Legend Of London's Lost Artiste, is a much needed biography on one of England's most enigmatic artistes of the spiritual and mystic kind. Often mentioned in the same breathe as Aleister Crowley, this volume should shed light on who he really is and presenting him as a unique, visionary and singular being. Can't wait.

Go to Strange Attractor Press News to find out more details and the Strange Attractor website for other information on the publishing house and the journal.

Scene Feature: Garuda Hypnagogia, Tropical Indonesian Style



I was catching up with my friend recently and being music fans we brought up the current underground movement of Hypnagogic Pop. He suddenly recalled from his perpetual incessant search for exciting nusical vibes and scenes (especially those of the Singaporean and Southeast Asian types) that in our neighbouring behemoth, Indonesia, there is a group of guys who are creating Hypnagogic Pop-like kind of tracks and uploading them onto MySpace. He subsequently sent me the links and I was blown away: the oppressive heat, deep-seated humidity and overall sickly ooze of the tropical atmosphere of Indonesia and Southeast Asia can be felt through listening to the tracks of these guys. Just imagine 1 part DJ Screw, 1 part Sublime Frequencies, 2 parts Olde English Singing Bee, 2 parts tropical Southeast Asia, you will get a fairly close approximation of their sounds. Duckdive, Sawi Lieu and Sangkakala are the three key guys but closely associated to them is the online record label Stone Well Sound Records and affiliated musicians. From event organising to gigging to collaborating musically and releasing tracks on the internet, they are thriving on vibing off one another and creating a temporary autonomous zone of musical independence, creativity and community-building. In fact, Ruralfaune, a record label specialising in experimental music from France is planning a vinyl release of Duckdive soon this year. One of them also maintains a Hypnagogic Pop image/visual site in the vein of their American counterparts on Vimeo, it is called Cincang (The visual at the top of this blog entry is taken from this site). Below is an interview with one of the key guys from this Indonesian Hypnagogic Pop scene.



An Interview with Sawi Lieu

1. How did you start making the music which you have currently uploaded on MySpace? Is there any particular musical influences? Or the geography of your location plays a part? If not then what is it which shape your music creation?

Hello! To begin with i started making my own music in 2008, music used to be my obsession. To be honest I can’t play any music instrument very well, I play and learned them by myself. I met a lot of people in the music scene, we shared thoughts about many things: from what they listen, and how they see music in them, and it was also them who gave me thoughts to make my own music. My form of music is from a belief in occult things.

2. Your music reminds me of psychedelia, elements of World music, minimalism and dare I say Hypnagogic Pop which is all the rave in the US Underground now. So how do you see yourself in all this and do you see any connection in anyway?

Yes, pretty much my music were inspired and influenced by the genre you said up there, my friend Gonzo (real name Muhammad Fahri) who introduced me to this kind of music. From Terry Riley to the Skaters, and I also got interest in free improvisation and free jazz at that time. Gonzo made a project called Duck Dive, I think he started the all drone scene in here,  his first gear was space echo (I think), he told me he just bought it from Yogyakarta with good deal price.  And then he gave me his track called Kava-Kava, the track is some kind of tropical folk, well he is all about Freak Folk and New Weird America, and then I start to remix his song Kava-Kava, The remix didn’t publish in everywhere its just for fun. In that time I was studied in Malaysia, i learned many things and I try acid, my first journey through the mind of the world was there, in mid 2008 I have to go back to Jakarta, I got problems with my mindset, and all things. After I spent my days in hospital, I made a group with Wing Narada Putra and Al Imran Karim, our first jam was totally out of control. this group was inspired by free improvisation/noise local act like Sungsang Lebam Telak, Aneka Digital Safari, Kalimayat/Khuruksetra, Mereka.., Duck Dive and many more. Sangkakala starts their debut on internet net label called Stone Well Sound Records, a project made by gonzo and his art student friend Anry Dhanniary. It turns out another musical project called Schadefreude made his debut there! Schadenfreude is Obon, he is an art student from bandung to USA, he made a lot of installation you can check his arts here http://unlogical.multiply.com/.

3. Southeast Asia has always been seen as places where people from Europe, the USA and Japan come for World music and traditional art forms. What do you think of your music in this whole scheme of things?

I do love world music, I think all this love of Indonesian folk music came in my blood, my improvisation sometimes reminding me of folk songs from Sundanese music, my mother used to listen to a lot of Sundanese music, my father came from Padang, he also a lot of Padang folk music, my influence of music came from what my family listen to in the past, also my favourite figure in my big family is harry Roesli, he’s my aunty husband, we didn’t talk anything, but I do like some of his music from the past.

4. Who are your current favourite musicians, artistes and groups? Why them?
Its hard to put the artist, albums and songs, cuz daily I always download many stuff from internet, so I just make you a mix-tape to listen, enjoy!
The mix-tape can be found at:
http://soundcloud.com/sawilieu/udel

Play-list -
1.Bob Freedman - Polyphemus
2.Kit Ream - Dont Be So Holy Poly To My Souly
3.The 5th Dimension - Its A Great Life
4.The Alan Lorber Orchestra - Up Up Away
5.Piero Umiliani - Allucinazioni
6.Sovetsyaka Gone - Untitled
7.Social Climbers - Palm Springs
8.Jagaraga - Collie Science
9.Far East Family Band - Timeless
10.This Heat - Horizontal Hold
11.Aku - Pengutil Dan Kasir
12.Acid Mothers Temple - In
13.The Flying Luttenbachers - Entropic Field Total
14.Tony Conrad With Faust - From The Side Of The Machine
15.Seek Six Sick - Antara
16.Laraaji - Universe
17.Bob Freedman - Erebos
18.Harry Roesli - Keringat

The music and contact of the key members of these exciting group of musicians can be found at:

 
 
 

07 October 2010

New Noise Magazine Update: As Loud As Possible



Yes I know I have put up an entry like almost a year ago about the impending publishing of Harbinger Sound's new print project, As Loud As Possible #1 but this time round it is confirmed: it will be out on the 22nd October 2010 to coincide with the, (gasp!), weekend of Los Angeles Free Music Society and friends' presence in London entitled The Lowest Form Of Music (22-24 Oct, if you are in London on those dates, i say GO FOR IT!). Yes I am a fan of these guys, see my earlier entry on them. Friends appearing with them include premier Japanese Noise acts, Incapacitants and Hijokaidan, two acts seriously influenced by the LAFMS guys. Edwin Pouncey a.k.a. Savage Pencil with others will ruminate and discuss about the importance of them too. This event is brought to you by Second Layer Records, As Loud As Possible magazine, The Wire magazine amongst a few others. So two events of utmost importance to look forward to this month...

05 October 2010

One Man Nation Unleashes His Noise On Vinyl

One Man Nation, a.k.a. Marc Chia, a rising Sound/Noise artist from Singapore has released a limited edition LP on Austrian record label, Moozak just. A double A side LP entitled, 'Suspended In A Vortex In The Middle Of A Bowl From Tibet/When I Was Young I Was Easily Amused, But Now It Is All, The Same And The Same...' which reminds me of Hermann Nitschean Action Theatre and Raymond Dijkstra's surrealistic sides from the samples on the label website. Marc's sound has definitely developed and matured into something of character and originality.


I still remember about 4 years ago, he played me a CDR of tracks which he had composed. The tunes might have sounded slightly derivative at parts but his raw passion and conviction shone through. Shortly after that he left for Europe for his pan-European gigging, squatter-punk style. Four years later and he has produced an LP of crackling beauty. He was also recently featured in music magazine, The Wire's Global Ear section (August 2010). Check him out.

When You Are Hit By Da Brainbombs!

Brainbombs were and are still one of the most original 'rock' bands 'out there': the voice of the band is just one hell of a charmer in the sickest sense possible. An obscene mix of Bruce-Banner-turning-into-Hulk snarl with that perpetual lusty but yet loser-vibe grunt, which coupled with those psychopathic lyric sheet of theirs just made them more establishment shaking than most extreme metal and hardcore punk bands today.

They are from Sweden (coincidentally the home of one of the foundational nations of extreme metal which gave the world some of the top Death Metal, Grindcore, Melodic Death Metal and Black Metal acts for the past two decades plus)and, in my eyes, they rival Whitehouse in terms of their constant vitriol spit out at the straight-jacketed political-correctness of most so-called experimental/alternative/extreme/underground scenes. Closer to Sadean social psychosis, Decadent bodily horror and scene-setting of narrative as well as musical outre moves.

Listening to a Brainbombs CD/LP is like strapping yourself voluntarily for a tongue-in-cheek S & M ride down their typical three-line chants of scatology and sexual-fantasy-turn-Benny-Hill with a spot of masochistic posturing thrown in for additional laugh. And I have mentioned earlier in the title for this entry, they are da Bomb!

More about them can be found here.

Keiji Haino Says Bye To Fushitsusha And Welcome Seijaku?


This is really really exciting for me... Doubtmusic from Japan will be releasing two CDs simultaneously of Keiji Haino's new group project, Seijaku. It is supposed to be an unimaginable blues band fusing Delta Blues and Noh (from label website). Since the last album release of Fushitsusha half a decade ago, Keiji Haino has not been having any permanent group act till now. Can't wait to hear them. Check them out at Doubtmusic.